I don’t know how it keeps happening, but I have an uncanny ability to stumble into situations I am wildly unqualified for. Some people accidentally sign up for gym memberships they’ll never use. Others buy a plant thinking they’ll be responsible enough to keep it alive. I, apparently, pretend to be a licensed cultural expert and mislead a group of unsuspecting German tourists through a museum I had never stepped foot in before that day.
It wasn’t planned. Nothing in my life is ever planned. I had simply wandered into the Museu de Belles Arts de València because I thought, yes, today I will be a person who appreciates fine art. Maybe I’d stand in front of a painting, arms folded, nodding thoughtfully, pretending to understand brushwork or whatever it is that cultured people do.
Instead, I became an international fraud.
It Starts with a Simple Mistake
I was standing near a particularly intense-looking religious painting, something with a lot of gold, some people looking distressed, and the general vibe of someone about to be smited when I noticed a small group of German tourists glancing at me expectantly.
I ignored them, assuming they were waiting for their guide. I mean, what kind of fool would look at me—a woman who was actively trying to Google “what is happening in this painting” on her phone—and assume I had answers?
Then one of them, an older man in khaki shorts and socks pulled up to his knees, smiled and asked, “Are you the guide?”
Now, a normal person—someone with morals, dignity, a basic respect for the concept of honesty—would have simply said, “Oh no, I’m just visiting.”
I did not say that.
Instead, I looked this poor man directly in the eyes and, without hesitation, said:
“Yes.”
The words left my mouth before my brain could stop them. It was an out-of-body experience. One second I was just some random idiot in a museum, the next, I was a museum authority, fully committed to whatever lies I was about to tell.
Making It Up As I Go
With zero escape plan, I did what any self-respecting con artist would do: I doubled down.
“Ah,” I said, clearing my throat and adopting a vaguely academic tone. “This piece is one of the finest examples of early Valencian dramatic realism. You can see the artist’s use of light to depict, uh… despair.”
The Germans nodded in agreement.
I pointed vaguely at the background. “And you’ll notice the inclusion of a small bird in the upper left corner, which symbolizes—” I squinted, searching for meaning where there was none. “—uh, freedom, but also captivity.”
Why did I say that? What does that even mean? I don’t know. But they wrote it down. They WROTE IT DOWN.
I felt powerful.
Inventing Valencian History
We moved on. I figured I’d walk them toward the exit and make a graceful escape, but no—they wanted more. They were hungry for knowledge. And unfortunately, I was the only one reckless enough to provide it.
So, logically, I led them toward a statue. A completely random statue of a man who was probably important but whose plaque I had zero time to read.
“This,” I said, pausing for effect, “is Don Rafael de la Cruz, one of Valencia’s most legendary explorers.”
Was this true? Absolutely not. Did I know who this man was? No. But they were listening.
“Don Rafael,” I continued, now fully in character, “is credited with bringing silk trade secrets from Asia to Spain, an act of smuggling so dangerous that he was forced to disguise himself as a Jesuit monk for five years.”
A woman gasped. Someone took a photo.
“This, of course,” I added dramatically, “led to his tragic downfall.”
“What happened?” one of them asked, eyes wide.
I paused, as if summoning deep historical knowledge instead of outright fabricating a man’s entire life story on the spot.
“…Poisoned,” I whispered. “By a rival textile merchant.”
They ate it up.
I Try to Escape, But No, There’s More
At this point, I knew I needed to get out before I somehow rewrote all of Spanish history. But they weren’t done.
“Tell us about this one,” another tourist said, pointing to a random doorway.
Now, a normal person would have admitted defeat. But I was in too deep.
“Ah,” I said, as if I knew exactly what the door was for. “This is the famous Sala de los Susurros, or ‘Whispering Hall.’ It was built in the late 17th century with perfect acoustics, so if you stand in one corner and whisper, you can hear it clearly on the other side of the room.”
They immediately ran to opposite corners and began whispering eagerly.
The acoustics were terrible.
One man frowned. “I don’t think it’s working.”
I sighed, shaking my head like a disappointed professor. “Yes, well. It only works on… Tuesdays.”
It was Friday.
They all nodded solemnly, as if that made perfect sense.
The End of My Illustrious Tour Guide Career
After an hour of aggressively miseducating a group of trusting, innocent travelers, I realized I needed to wrap this up before they tried to book me for future tours.
“Well,” I said, clapping my hands together, “that concludes our tour! I hope you’ve enjoyed learning about Valencia’s rich artistic history.”
They applauded. APPLAUDED.
Then one of them, the khaki-shorts man, handed me a €10 tip.
“Danke schön,” he said, smiling warmly. “You are very passionate.”
I took the money knowing full well I had committed an act of light tourism fraud.
I left the museum immediately. I do not plan on returning anytime soon.
If you ever visit the Museu de Belles Arts de València and see a tour guide confidently explaining that a statue belongs to Don Rafael de la Cruz, the poisoned textile smuggler, just know that somewhere, across the city, I am living in deep shame.